![]() ![]() Musical extravaganzas that triumphed the musician or composer gained popularity with the masses of concertgoers. This new economic strata consisted of a larger number of people with more disposable income and more leisure time than had ever existed before. ![]() One result of the Industrial Revolution was the creation of a middle class. In music, Romanticism, along with new opportunities for earning a livelihood as a musician or composer, produced two seemingly opposite venues as the primary places for musical activity-the large theater and the parlor. Romantics valued the natural world, idealized the life of the common man, rebelled against social conventions, and stressed the importance of the emotional in art. With the rise of the middle class, more people wanted access to music performances and music education.Ī new artistic aesthetic, Romanticism, replaced the ideals of order, symmetry, and form espoused by the classicists of the late eighteenth century. Composers wrote music for performances in these venues, and musical instrument makers produced instruments to be played by wealthy patrons or their servant musicians. In earlier times, musicians were usually employed by either the church or the court and were merely servants to aristocratic circles. The lives of musicians, composers, and makers of musical instruments were greatly altered by these social changes. From New York, to London, to Vienna, the world was changing and the consequences can still be felt to this day. Struggles between the old world order and the new were the root causes of conflicts from the Napoleonic Wars to the American Civil War. Democratic ideals and the Industrial Revolution swept through Europe and changed the daily lives of citizens at all levels. The nineteenth century brought great upheaval to Western societies. ![]()
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